By the time the movie finally arrives at an incoherent endgame set in some fictional Middle Eastern hellhole, where editors Sean Albertson and Paul Harb try their damnedest to make sense of a whirlwind of action involving rolling tanks, speeding motorcycles and dive-bombing helicopters, it's at onc
onnor and Mr. Dorfman; director of photography, Masanobu Takayanagi; edited by John Gilroy, Sean Albertson, Matt Chess and Aaron Marshall; music by Mark Isham; production design by Dan Leigh; costumes by Abigail Murray; produced by Gavin OConnor and Greg OConnor; released by Lionsgate. Running ti